AI Filmmaker

AI film. Based on Planet Earth.

Where I stand

AI generates images. People generate emotion.

A film does not get better because it was made faster — it gets better because someone takes responsibility for every shot.

What I work on

AI commercials & spots

Fully generated spots for campaigns, social and trade shows — like “Innohikes” for the Nuremberg Metropolitan Region.

Brand & product films with AI

Worlds, machines and scales that cannot be shot — like “Genkinger Mecha” for Genkinger GmbH.

Hybrid: shoot + AI

Shot for real where people and brands need it; generated where the set hits its limits. One look, no seams.

Experience and a team

I bring nearly two decades of directing and camera experience — and a team that realises concept, production, editing and sound with me.

How it works

  1. 01

    Briefing & idea

    Goal, audience, tone, channel. You get a concept with logline, visual world and mood frames — before a single second is generated.

  2. 02

    Look & characters

    Style, colour world, characters and locations are defined and tested for consistency. Reference frames instead of surprises.

  3. 03

    Production

    Shot by shot: generation, selection, refinement, editing, sound design and music — by me and my team.

  4. 04

    Approval & delivery

    Revision rounds, then masters in the formats you need — 16:9, 9:16, 1:1.

Tools

You don’t shoot every film with the same camera and the same set of lenses. Models are no different: none can do everything. Image, motion, voice and music each need the best tool for the job — and locking yourself to one model means limiting yourself. So I work with what the project demands, bundled among others via platforms like Higgsfield. The selection changes with every project and every new model generation.

Image

Frames, looks, characters — including Nano Banana Pro, FLUX, GPT Image, Soul.

Motion

Video, camera moves, multi-shot — including Seedance, Kling, Veo, Sora, Wan, Hailuo, Higgsfield DoP.

Voice & sound

Speech and lipsync from specialised speech models — including Higgsfield Speak. Sound design done classically in post.

Music & edit

Music generated or composed, depending on the project. Editing, mix and master like any film: by hand.

As of September 2026 — a snapshot, not a catalogue; the list grows with the projects.

Why a filmmaker

Direction, not chance

A model produces images; a director decides which image the story needs. Awarded in Cannes for directing and editing — the same standard applies to AI.

A camera eye in the prompt

Nearly two decades behind the camera means I know how light, focal length and movement work — and can demand them from a model instead of taking what comes.

Hybrid when it is better

Not every story belongs in AI. People, real products, real places I still shoot — and extend them where it makes the story stronger.

Two works

Both films are fully AI-generated — directed, edited and sound-designed like a shot film.

Frequently asked

What is an AI film — and what is it not?

A film whose images are created with generative models but directed, edited and scored by the same rules as a shot film. Not a lucky accident of prompts, but direction.

When does AI make more sense than a shoot?

When worlds, machines, scale or timing make a classic shoot impossible or disproportionate — or when a pilot needs to show quickly whether an idea holds. Where people and real products are at the centre, I still shoot, or combine both.

Do characters and look stay consistent across the film?

That is the real craft question — and the reason look and characters are defined and tested before production. Consistency comes from direction and selection, not luck.

What does working together look like?

You see concept and reference frames before production, and the edit before it is final. Quote, contract and production run through eye2eye GmbH, who represent me; rights, usage and the handling of your material are put in writing there before the project starts.

Let’s talk about your film.

AI spot, hybrid production or classic shoot — three sentences on goal, channel and timing are enough to start. Productions are realised with eye2eye GmbH in Cologne, who represent me.

Get in touch